Finishing in the Mountains & Digging into the past

  My previous post was regarding the prints i made from a roll of film i shot whilst away on holiday in Glencoe, Scotland... and so is this post!  This week has been one of those wonderful weeks where Jess has had a lot on in the evenings, so i've been pretty much left to my own devices.  An we all know what that means don't we - key out, gate open, electric cable in, red light on!

  On the roll i shot there were two more prints i wanted to make.  I may end up printing some of the other frames at some point in the future but at the moment i don't find the "subjects" particularly interesting on one of them and the other one is ever so slightly out of focus (dammit)! 

  I started off in my usual manner on my first print - test strips, proof prints etc but after an hour or so i couldn't seem to get a decent looking print.  I knew i wanted to lith print the other two so i decided to try and lith this first one as well.  I mixed up some LD20 (15A, 15B, 10 old brown and make it up to an 800ml solution).  For the first print i decided to dig into my mini-stash of Orwo BN118 which is a paper i know nthing about except i have used it on a few prints previously and it tends to give a nice brown colour overall with not very much infectious development (much like Agfa Brovira which i'm a huge huge huge fan of).  Previous prints i have made on this paper didn't really have many highlight tones so i was interesting to see how it would handle the sky in this shot.  I did a test strip, determined the correct exposure, added 3 stops, exposed and started developing.  Eventually i pulled the print, stoppped, fixed and rinsed as usual, gave it a little dunk in selenium toner (1:9) and this is what i got:

  Not the greatest print i've ever done i reckon but a good start.  The paper has handled the highlights well (not that there are tonnes) and the shadows are nice and gritty.  To be honest the composition and light on this shot isn't the best but not much i can do about that now is there?!

  My next print was one i took on the road to Glencoe.  There's a huge layby on a sweeping bend of the road which was practically made for tourists.  I was there for about 45 minutes and i think at least 5 coach loads of people came and went in that time, compact cameras a-flashing.  I found myself chuckling when i pondered how their images would turn out.  For some reason people's holiday photos just amuse me - "here's a lovely landscape with my wife stood in front; here's an interesting statue with my daughter in front, here's a hedge with my brother in front".  Bizarre how most people seem to think shots are improved by having family members stood in front of them.  I think it may stem from my parents who overload on holiday photos, every single one having my mum or dad stuck right bang in the middle of the scene!  Anyway - back on track!  I did two exposures at this scene, one standard and one using a cheapo 10 stop filter i got off ebay/amazon (i can't quite remember).  After inspecting the contact sheet i decided to print the long exposure one (seriously, the exposure was like 8 minutes or something - i'd give you an exact figure but my notebook is buried in the under-stairs cupboard and going in there is an undertaking that requires at least half a day and a hearty breakfast, neither of which i have), predominantly because the sky had a better looking shape and also because there was a huge drying mark on the standard one.  I decided to use my precious precious supply of Fotospeed Lith paper for this print.  This paper is long gone but i got 20 sheets on ebay months ago and i'm saving it for very special prints and this felt like one of those.  In my mind i pictured something dark with emphasis put on the lake and sky.  I chose an exposure accordingly and started to develop.  When the time seemed right i pulled the print, processed and selenium toned in 1:9 again.  This caused a boost in the blacks as usual which resulted in some slight loss of detail in the foreground landscape - i expected this though and it was what i wanted.  I wanted the foreground to look almost blocked up so as to add further emphasis to the lake (which took on a lovely pale lilac type colour).  Here's the final result:

  I think it works well and i like the pale pastel tones taken on by the highlights.  Now if only Fotospeed would bring the lith paper back out (only 16 sheets left)!  On your screen you may be seeing some brownish areas in the dark foreground, that's just come from scanning - the print wasn't entirely flat and so some light got in, a bit of a pain but i'm not going to rescan and edit it all over again - just imagine everything in the balck areas is entirely black!

  For regular readers of this blog (if indeed there are any) you may pick up on the vibe that i begrudge wasting chemicals - they're expensive and i want to squeeze everything out of them that i can.  Some would coll that anal, i call it thrifty!  I knew that would be power for at least one more print in the lith developer so i hit the negative folder hard in search of something to print from my past.  I eventually stumbled upon  roll of film i shot at Whitby Abbey a few years ago on my honeymoon (7th May 2011 - a real man remembers when he got married) and realised i had never really printed from it (at that time i was still scanning all my negatives - terrible)!  The whole roll was pretty much a write-off mostly due to lack of ability to not chop the tops of images off when using a Diana camera.  One shot looked great though (even if it is from the exact same angle that everyone seems to take pictures of Whitby abbey from) so i decided to lith it and see what we got.  I spent a few minutes pondering what paper to use (because as you should all know by now paper choice has a massive effect on final print in lith).  As i was feeling somewhat devil-may-care a decided to use a sheet of my even-rarer-than-fotospeed-lith tapestry paper.  This is a textured "art" paper that liths incredibly well and when put into selenium toner will give at least 3 colour splits.  I have used one sheet before to create a watercolour style effect - see here for details.  I decided to give it a go with this print as it was somewhat heavier on the shadows and lower midtones than i have previously lithed on this paper, i was interested to see what i would end up with.  I determined exposure, processed and dipped into the selenium toner (1:9 again) and as expected colours kept changing from the shadows up through to the highlights.  I kept the print in the selenium until i got a nice cool grey in the lower mids and lovely pale pastel yellows and lilacs in the tones of the sky.  When using this paper previously i would paint the toner onto areas i want to alter the colours of but i thought this print looked fine as it was so i left it to dry (keeping in mind that when wet it is a yellowy colour but would dry-down to a salmon pink tone).  Once dry i was pleased with how it looked:

  Again - scanning problems!  Because this paper is heavily textured it wouldn't render the blacks actually black so they have the kind of look you get when you're trying to scan through dense colour film.  Again, just imagine that the shadow areas are solid black! 

  So, a successful darkroom session from which i learnt the following things:

• I hate scanning
• Lith printing continues to rule

  All i need to do now is actually go out and shoot some more film (it's been 2 months since i've even touched my camera - naughty me) so i can crack on printing.  Perhaps in the meantime i should go back through my old negatives and see if there's anything i've missed.  until next time - happy printing!

A Slightly Delayed Wedding

  Now i'm no real fan of digital cameras but it does have its uses.  For example-weddings.  Weddings are a massive pain at the best of times, let alone when you add to pressure of photographing them.  Fortunately that's not really something i'm into.  My wife, however, is another matter.  She loves to shoot portraits so when she was asked to shoot a friends wedding she jumped at the chance.  I decided to play at being a second shooter using my trusty Bronica SQ-A and some Tri-X 400.

  The day went really well and everyone had a great time.  Jess got some great photos (and proceeded to spend the next 3 months editing them) and it was nice for me to try something a little different. 

  I developed the films in Rodinal and (as seems to be the norm for me these days) I lith printed a few onto some Orwo BN118.  Here's the three best that I made:

    Jess did a great job with her digital shots as can be seen here (and if you desire a well-priced and very talented photographer for your wedding just drop her an email).

  All in all it was a good day enjoyed by all, and its always nice to see a friend get married.

  

P.S.-Yes that is me in the band that you can see on Jess' blog...

Prints

  So i’ve been doing a lot of printing since getting my darkroom setup.  The only problem now is that i have almost run out of negatives i want to make prints off so i guess ill have to get back out with the gear and get shooting.

  I thought i would share these prints which i am pretty happy with, they were taken on a recent trip to the Lake District and are close-ups of a rotting tree i found fallen next to a river.  Im sure in ten years time ill look back and think they’re terrible but at the moment im pretty happy with them (apart from the occasional hairs that keep cropping up in a few places).  I’d love to hear what you think about them.

Borrowdale Camping

  A month or so ago i went camping with a small group of friends up near Keswick in the lake District.  Despite the flies and the dodgy weather we had a great time (especially since Jess had taken it upon herself to buy more meat than any couple could ever require).  Camping in the Borrowdale Valley is very peaceful as its basically a massive cul-de-sac bounded on all sides by hills and mountains.

  I had decided to take my Bronica SQ-A kit with me as i love it and Jess had bought me a huge Tamrac bag to keep it all in for our anniversary and i wanted to put it through its paces.  I really wanted to get some good mountain shots using some black and white but i brought a few colour rolls too for some general shooting.  Saturday morning was spent relaxing at the (very midgie'd) campsite.  The sun was shining and the bacon was tasty so i decided to load up some Fuji 64T II which i haD won on Ebay some time ago but never shot.  I got 15 rolls for an absolute bargain price and now seemed like a good time to use one.

  Later on we decided to go on a nice walk up the mountains (i forget the name of the one we went up).  Let me tell you now, medium format kits are heavy.  Especially when on a long hike up a big hill.  But i persevered, stopping to take a few shots when the light was right and the composition seemed good.  It was nice to just stop and take my time setting up the shot, choose what settings i wanted to use and think about how i wanted the final print to look.  We stopped just short of the summit as some were getting tired.  On the way back down my friend Keir and i lagged behind to shoot some photos of the river we were passing.  We found a really interestingly-shaped tree and fallen log that we spent some time shooting (im still working on the tree print-it is proving to be difficult to get it to look how i want it to) before re-joining our group shortly thereafter.

  All in all it was a really nice weekend and i had great fun shooting these 2 rolls.  I find it very peaceful to be on my own sometimes, taking my time and just shooting photos.

  I havent finished printg all my landscapes yet but here's my cross processed 64T II photos for you to look at.  I'm pretty chuffed with how they came out as a little research before-hand showed they tend to go very green/blue indeed but i think the colour cast on these is quite nice.  What do you reckon?

A Holiday from Holiday

  For the first time since i left work last Friday i managed to get away from the family days out to do a quick hour of shooting.  I met up with one of my shooting pals Paul and we headed to Lytham/St Annes beach.  It was windy.  Extremely windy.  Tripod use was out of the question.  We headed down onto the beach hoping to head for the remains of the old pier but alas the tide was further in than i have ever seen it so we had to shoot from afar.  After spending some time messing with assembling my Bronica i finally got some shots in.  The tide was coming in at a ridiculously rapid pace and by the time i had setup my gear and eyed the shot in on my waist level finder i was stood in water.  Metering was a nightmare so i just used my instincts and shot.  I was a bit worried as the strong wind was battering our cameras with sand particles and blowing our gear bags all over the place.  We persevered regardless and shortly moved further up the coast where a flock of birds was sat on the water quite close to shore.  The local dogs chasing them proved to create some nice photo opportunities.

  Shortly thereafter i spotted a partially filled plastic bottle dumped on the sand which caught my eye so i snapped it.  It turned out to be one of the best shots on the negative.

  Our final stop was a little further up the coast where the waves were now smashing against the sea defences.  I sacrificed dryness to snap a few quick shots of the spray coming over the wall.

  The results were a bit hit-and-miss on the developed negative and some shots took a bit of work to get a decent image of but all in all i think they came out ok.  It was nice to be out in some extreme weather shooting on instinct rather than taking my time over each shot and meticulously recording every detail.